■ 深圳特区报记者 孟迷

  When Internet literature began a decade ago, Qiu Huadong, "People's Literature" magazine editorial director, showed great intreast in it. However, he was disspointed that Internet literature became vulgar literature without literary criticism and responsibility.

  Ten years later, the new era has come which is marked by micro-blog. Qiu Donghua feels calm this time. He believes that micro-blog is an information carrier. And there is no any special relationship between them. The content and thought of literuture needs depth, length and strength that micro-blog can't be achieved.

  In Qiu's opinion, there is no doubt that new technology and new media affect literature, but he still remains confident in printing media. He thinks that Internet is just a carrier. The most important question is "how to make the new literature represented by new media." (张舜 编译)

  

  十年前，网络文学刚兴起，《人民文学》杂志编辑部主任邱华栋曾兴致盎然、期待万分，然而他失望了。“我本以为网络文学会承载批评与担当的责任，结果发现都变成了地摊文学。”

  十年后，微博引领的碎片化时代来临，这一次邱华栋很冷静。他认为，微博只是一种信息载体，跟文学没什么特别关系。“文学所需要厚度、长度、力度，微博都承载不了。容易转瞬即逝的，其实不可怕。”

  然而不可否认的是，新科技与新媒体的出现，正在影响着文学的生产、传播与接受。对此邱华栋感慨地说：“比如盛大文学号称旗下目前有写作者１２３万，每天有１０００万字的更新量。这在传统文学时代是很难想象的，几乎是泥沙俱下。”这毫无疑问会冲击传统纸介媒体的运作，但邱华栋对纸媒仍然很有信心，他说：“宋代造纸至今已有一千多年，传统不是那么容易被打败的。我觉得网络与纸媒各有优势，会是一种长期共存的关系。”

  邱华栋认为，不需要把网络与传统文学割裂。“网络只是个载体，如何让新文学进入新媒体，这才是最重要的事情。”